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Has anyone written a "Surviving Your First Spank" post? Basically, I'm a new writer and barely even know where to get started with working with a director. Would there be table readings before it's even submitted? And then, if it gets picked up, I assume a schedule of rehearsals?
Anonymous

jonbershad:

WARNING: This post is only of interest to people in the UCB community. All other followers I have will be baffled and bored. People in the UCB community will probably be bored as well.

Here’s a really great question! Good thing it only took me a month to respond to it!

Introduction
I am both incredibly qualified and incredibly unqualified to write this post. On one hand, I’ve written, directed, and acted in every single type of Spank imaginable (straight sketch show, themed sketch show, narrative sketch show, game show, talk show, one man show, play). Every single type, that is, except for a successful one. And, by that, I mean that none of the Spanks I’ve been a part of have gotten a run yet. Fingers crossed on the latest one! But, until then, feel free to take everything I say with a grain of salt.

With that out of the way, here are the qualified/unqualified answers that I’d give to some frequently asked Spank questions.

What Makes a Good Spank?
At the end of the day, this question is always going to boil down to the personal tastes of the Artistic Director and Assistant Artistic Director. That being said, whatever their tastes may be, it’s their job to put up the best shows that they think belong at the UCB Theatre. So, the question isn’t “What makes a good Spank?” but rather “What makes a good UCB show?” And the most concrete answer I’ve gotten to that question is that shows should have a good “hook” which is kind of a nebulous idea.

My advice is to go to see a lot of shows currently running or in Spank form. Check out what works at the theater. The shows are incredibly varied in tones and formats, but you can still get a feel for the type of thing that the UCB audiences respond to. Plus, seeing a lot of shows will be great for inspiration. My most recent Spank was an idea that I’d completely shelved until I watched Alan Starzinski’s recent show and thought how much fun I’d have messing with audiences.

You probably want me to be a bit more specific so here are two things that I know DON’T make good Spanks:

  • Straight up plays. There have been successful sketch shows with full narratives that felt like plays (Standards and Practices is a terrific example) but, for the most part, recent AD’s have seemed to work under a “Is this more of a Fringe show or a UCB show?” rule.
  • Acting reels disguised as “one-man shows.” The AD’s are looking for a show with a hook that will appeal to audiences. If you’re writing your show more for potential agents and managers instead of the actual paying people hoping to laugh, you’re not gonna get a run.

How Prepared Should My Spank be Before I Submit It?
As much as possible. That’s the simple answer.

Putting as much of your show up in other venues as possible is a great idea. Nothing tells you what works for actual audiences like other actual audiences. Even more importantly than that, it helps you get comfortable with the material. So doing individual sketches at shows like BYOT or renting a space like Under St. Marks to put your show up in total is a great idea.

However, sometimes you can’t do that. Maybe the show’s format doesn’t really allow for that kind of thing. Maybe your show is unscripted or maybe the sketches wouldn’t work out of context and you don’t have theater rental money on hand. That’s fine. These things aren’t a necessity. But the more preparation you have, the better.

You specifically mention a table read. Absolutely. Do it. It’ll make your show better.

How Do I Choose a Director?
I did my first Spank in the fall of 2011. At the time, I was an unknown sketch student. I needed someone who the theater knew and (more importantly) who knew the theater.* So, I thought of all the established sketch people in the theater that I wasn’t terrified to enough email; Eric Cunningham, Brandon Gulya, Lauren Conlin Adams. Eric became my (wonderful) director and Brandon and Lauren joined my (wonderful) cast.

*By “knew the theater” I mean literally knew the physical space. Knew the UCB’s layout, sound quirks, and lighting capabilities. The kind of stuff that you want in a director.

I lucked into an absolutely perfect director in the case of Eric, but (AND THIS IS IMPORTANT) I was lucky. I was terrified to email any Maude person who wasn’t actively friendly to me. What if I hadn’t met those three people previously? Would I have ended up with some lesser director just because I was too afraid to email someone who was perfect but I was intimidated by?

HERE’S MY HUGELY IMPORTANT ADVICE FOR NEW WRITERS WHEN GETTING A DIRECTOR:
Just ask. If you think someone would be good, just email them. The worst case scenario is they tell you that they’re too busy but they’re flattered you asked. And they won’t be lying. Your email will be flattering. So just ask.

You’re gonna hear that advice again in the next section. So, get used to it.

So, what makes a good director? Someone you think you’d like to work with and who would be a good mesh with your material. It’s as simple as that. Look for people who have directed shows you really liked or have acted in or written Maude sketches that really correspond to your material. I don’t want to be some elitist “Only hire people from in house” typer person, but the more directing experience they have at the theater, the better.

Once a director has signed on, ask how much they charge to direct a show. For real. Just get that out of the way up front so there isn’t any confusion later.

Then, once that’s done, let the director direct. They should know how many rehearsals you’ll need, what UCB actors might be good matches for roles you need to fill, how to deal with tech, etc. The director is now the ringleader. However, at the end of the day, it’s still your show. You’re the writer/producer. So don’t feel scared to give a note to your director when you disagree with something. They’re trying to make your vision come out the best it can.

How Do I Choose a Cast?
Alright. Let’s just get this out of the way.

HERE’S MY HUGELY IMPORTANT ADVICE FOR NEW WRITERS WHEN GETTING A CAST:
Just ask. If you think someone would be good, just email them. The worst case scenario is they tell you that they’re too busy but they’re flattered you asked. And they won’t be lying. Your email will be flattering. So just ask.

Now that that’s out of the way, get people who are talented and will really care about your show. Since actors probably spend the least time actively working on a Spank (unless you give them an impossible to memorize monologue…), it’s easiest for them to say yes to shows that they aren’t really going to focus on. This is more of a given for a director but it’s equally important for your cast; get people who are going to be passionate about the show.

Also, in case you’re not a broke Theater Arts major like me and never heard this rule, you don’t note actors in a show. That’s for the director to do. Not only is it a matter of courtesy, it’s never good to have just a swarm of notes going around from all different directions. If you have thoughts about how a performer should play a part, just tell the director. He or she will handle it.

What Do I Need to Do for the Tech?
Whatever the fuck they need.

The tech guy is God. His or her job is incredibly difficult and goes completely unrewarded by the audience. So, yeah, whatever they want.

When you get a Spank, you’ll be sent a tech FAQ written by Alex Adan. Read it. Follow it. It’s as simple as that.

How Many Rehearsals Do We Do if My Show Gets a Run?
Depends on what the director thinks is necessary to keep everyone fresh. There may be mandatory rehearsals that the theater requires for running shows but I’ve never gotten that far in the process to know. Oh, well.

Am I Going to Get a Run?
Probably not. Hell, you’re probably not even going to get a Spank. There are so many shows out there and so few slots at the theater that, statistically, you probably aren’t going to be on the UCB calendar any time soon. That being said, do it! It’s just going to make you better. And, even if you don’t get a Spank date, you’ll probably get some notes on your script that will, at the very least, help you understand what the theater is looking at.

Also, here’s a secret; No one knows writers. We’re invisible. But the theater’s AD watches every Spank. So putting one up is a hell of a way to get people to know what you’re about. That’s a big reason I wrote that show in 2011.

Conclusion
Every time I do a Spank, I’m reminded of a quote from Dogma, a movie I haven’t seen since I was 14. Allow me to paraphrase:

Mass genocide is the most exhausting activity one can engage in, next to putting up a Spank.”

Putting up a Spank is exhausting. It’s stressful. But it’s also a hell of a lot of fun. Do it. You’ll have a great time.

I hope that helped in any way! At the very least, writing it helped me feel busy for an hour!

This is correct.

So Long And Thanks For All The Fish

As I walk down the London night, down Shaftesbury Ave in shorts left from Barcelona, I prepare to return to New York without answers.

That isn’t right, my brain tells me, even as I write it and rather than delete it or self-edit, try to kill my thoughts before they come to you, I’ll lay out my confusion at your feet and see what you and I will make of it.

I found some answers then, but the not the ones I intended.

I love my girlfriend quite a lot apparently, which was never in doubt, but was reinforced by constant thoughts of her and my real lack of desire to attempt to make out with whichever silly girls thought the fact that I was a 27 year-old unemployed American to be charming.

I’ve found other people are searching, that I’m not alone. This is important because it means beyond my ability to want not to make my own lack of direction shameful by sheer force of will, it is made less shameful by numbers at least. There were the 19 year-old hard-partying nazi youth/children of the corn so-friendly sojourning Australians whom, while I judge them so harshly, are probably getting their first and maybe last real taste of life for a while, as I was always reminded by them, travel from Australia is neither fast nor cheap and for them, jumping across boat ferries in Hava, Croatia might be their version of getting mono from a girl you made out with on a car right before Hurricane Sandy.

Or maybe I was just jealous because the joy they had seemed so real as they talked of staying in Europe through Oktoberfest. Didn’t they have to find themselves too? God, I forgot what holier teacher said that cruelty was pain from the body overflowing and calling for help.

I found 30-something nurses and teachers looking to see the world before finally settling down or, more disconcertingly, trying to figure out the same questions as me still or maybe mourning that they weren’t.

Finally, i found a few friends my own age, tackling similar questions. Anton, the Siberian-Ukranian, thought the point of life was to struggle to obtain power. Idil, the Brit I’d met during an improv show I unexpectedly performed in, studied with Bobby Moynihan and aspired comedy until her photography became so successful she settled into a life mostly without.
Stella, the Italian, studied to be a psychotherapist but also loved acting. She said she didn’t want the years of doing work she hated and no one appreciated before maybe a chance of success.

And me, well, I still didn’t know. The answer, let alone the question. Suddenly I remember the Hitchhiker’s Guide To The Galaxy, the book I loved so much as a child that I named my AOL Screen Name “ADent2005” after the book’s protagonist, Arthur Dent and, embarrassingly, the year I’d graduate high school, as was the fashion of the time.

In that book, a giant computer, beyond anything ever made before, is commissioned to find “The Answer” to “Life, The Universe And Everything”. It’s answer was, cryptically: 42.

But to figure out what the question was specifically about “Life, The Universe and Everything” that was the answer to was an even greater undertaking, as I remember, one never truly solved in the books.

Douglas Adams died anyway before he could finish them all, but often artists could have made more if their life was extended but such desires only speak greatly of the effects of their art, rather than of a profound wish.

As a heavily pimpled, friendless 12 and 13 year-old, the escape to the world of extremely useful towels, two-headed rock stars and inter-dimensional adventure held great allure to me as my policy was to imagine anywhere else other than the painful business of being that age and instead, in a funny, amazing world that makes you laugh.

That laughter was very important to me as I rarely liked “hard sci-fi” or fantasy, preferring tomes laced with humor (I hated C.S. Lewis). Laughter offered the relief and joy my tweenage self rarely had and after all, what use was a fantasy world to escape to if it wasn’t fun.

Honestly and I’m just realizing this now, it must be one of the reasons comedy is so important to me. Because it allows joy in times of sorrow (which sounds like a fucking cliche, as my mind says unedited).

But back to my question and answer questions.

It’s not like no one tried to sit me down and have this conversation before. Everyone from my dad to my mom to my girlfriend to two therapists to a career coach to god only knows how many strangers and friends while I was intoxicated were subject to my soul-searching while back on the homeland.

In London, my grandmother’s friend expressed it to me in ways that are painful to even recount because to recall something might recall that it’s painfully true.

She was a career actress living in “Dickensian London” as she described it, a claim which was verified when we passed a “Dickens’s London” walking tour as we tried to find the proper route to her errands.

She took me around for cakes and coffee and some Vietnamese sweet potato chicken curry we found at Borough Market but there seemed nowhere to sit and dine.

Finally, we settled on the church steps.

I somehow knew there was some reckoning to come, either sensed on her part, put up to by my family or just manifested through my own needs and fears.

"Firstly," She told me. "I want you to know that you’re not alone not silly for thinking like this, finding yourself at this age."

She laughed,

"I think it’s proper particularly for creative people to be finding out their lives at this point. After all up until this point you’ve probably just muddled through and gotten by. But now you’re 27, 28. And soon you’ll have decisions that require, things that you want, that will require not just getting by, unless you’re coming in to some money, or incredibly lucky. Decisions like starting a family or buying a house at some point in your thirties that you don’t want to be ‘just getting by’ for."

"Our business, the creatives. It’s one of extremes. There are a few of us who get massively wealthy and successful and the rest of us who just get by. And if you’re committing to that life, you should be sure that’s what you want to; to at least contemplate that for the rest of your life, you might be just getting by."

"You know and if you do decide to do it, it’s as much about elimination as choice. What are you willing *not* to do? What could you not live without? If you’re an actor could you say no to director, a director say no to writing, or a writer, really commit yourself to that? Or would there be some part of you that’s really screaming, no let me out. What would it look like to really dedicate yourself like that, for a year at least?"

"Scary." I replied and I’ll spare you and principally myself from the rest of my self-pitying interjections.

Because as my trip comes to an end I’d like for it to, well, come to an end. I’d like to have a clear idea of what ju life might look like, be ready for whatever comes but have a path to return to. I’d like to know, a bit.

"If I could leave you with something." She told me. "It’s that none of us does know. None of us has that plan for life. Ultimately it’s just enjoying the present moment."

"Just like acting." I smiled, "Just like everything else."

After I performed in an impromptu comedy show in London, I felt so free and ready. The people gathered at the insane storage space where we performed under rail tracks were *my* people even though I’d never met them and wasn’t as funny as I wished I was (when was I ever?).

Still there we were going out for a pint as I prattled on about how there must be a god, due to Jungian psychology gleaned from my stolen video game, because if the idea of god motivated men to pray, live chaste and kill, could he not be said to be powerful? They seemed decently impressed. I could bullshit with people comfortably I’d met only an hour ago.

***

Tonight I walked home to my dormitory rather than taking the bus, my last night in London and of my trip. It seemed something of a tradition at this point.

There were so many things I felt I failed at, so many questions; how would I make money, what should I be specifically doing, what was the point of life anyway and how does one achieve that, what specifically should be valued?

But somehow I didn’t feel so bad as when I’d started my trip.

I had a show at the Triple Crown booked for 6 hours after I landed and a pretty girl and a funny-eared dog to return to home to. If nothing else seemed worth enjoying, I knew that was.

davidebert:

Yesterday was the premiere of the Shane and Dave: The Epic Finale and I thought I would take a minute and unpack what it was to work on that project over the past two years. Most of my friends are writers and performers and comedians. All of us would like to have careers in comedy. For the most…

Brilliant words from a brilliant man

spotastic:

THIS MAN LOCKED ME INSIDE HIS CAB.

Fuck this man. Fuck him so hard in the fucking face that his brain dies.

A long day of work and play and it was time to go home, so I was treating myself to a cab. One of the new Nissan Future Taxis picked me up. These things are spacious, but also have a very high separation wall, so you really don’t get a good view of the driver.  I told the cab driver to take me to Queens via the Midtown tunnel. We arrived at my destination, which is always across the street from my apartment building. I have never felt comfortable letting a cab driver know where I live. I paid the fair with a credit card. The driver told me I still owed him for the toll. I told him I have never paid separately for a toll before. He told me to wait a minute, but I did not see him doing anything, the separation wall is high.  I told him he should have added it in, I already paid the fare. He told me to wait a minute. I was feeling very uncomfortable and his behavior was feeling shady. I went to open the door and it was locked. I told him to unlock the door. He told me to wait a minute. I got LOUD and told him to unlock the door. He told me to wait a minute. I threatened to call the cops twice or more before he finally unlocked the door. I got out and walked the opposite direction. The Cab Driver got out, I turned around and he was pulling his unzipped pants up as he came around to the back of the cab. I yelled some things at him about jerking off that I can’t quite remember. They were not witty or clever, they were freaked out and coming from a place of shock.  He told me he was having me banished or some shit and was pointing to the sky.  I stepped into the street to take a photo of the license and he blocked the license plate.  My body started shaking realizing what was happening. Something I can’t prove.  But I will say it. This pile of garbage was keeping me locked inside his cab so he could jerk off with me in there. God knows if he had any other plans. I started officially walking away and called my husband and could barely get the words out. I started shaking and had to think really hard to get my body to move towards my building. Thankfully there is a median on the street I live on, so the Cab Driver could not make a U-turn and follow me. I made it to my buildings driveway and froze, a few minutes later, from a safe distance.  I saw the cab driver pass. My husband found me shivering and crying, frozen in place.

I have no proof is limp dick was in his hands while I was in the cab.

I can’t prove the door was locked and he refused to let me out.

I can and did dispute the charges on my credit card.

I can and did file a complaint with T & L commission.

If I ever take a cab again, I guess my first move is to always take a photo of their license and request the doors remain wide open while I am driven home.

FUCK THIS CAB DRIVER. 

FUCK HIM IN THE FACE UNTIL HIS BRAIN DIES.

I have no right to comment as a man. This is important to understand. It’s a different world we live in.

nicolemarietherese:

I’ve been around a long time and this is my blog so I’m going to say a thing here and it’s good I’m not on facebook so I can’t post it on your news feeds but here goes also it’s really judgmental I’m sorry sorry sorry:

You are supposed to go to your indie team/house team improv practice every…

Yup

davidjguzman:

Humor piece I have up at THE BIG JEWEL. It’s practically ripped from the headlines.

Adult Children

I walked along the beaches of Barcelona last night, trying to find a bathroom. Even before I had to pee, I had walked into a tiny bodega somewhere near Barcelonetta, where I went for, as always, whatever looked like the cheapest and most plentiful beer (San Miguel Cerveza, in this case). It’s interesting how those things stay constant among countries, the less recognizable brands in the bigger bottles that seem relatively unadorned are usually the big cheap beers, frequented by me, 19 year-old gap-year Aussies and transients.

The big bottle was cold and damp and slipped through my fingers when I tried to lift it, but thankful the glass was sturdier than a wine bottle and stayed together, even though it was badly foamy. The storekeeper offered me to switch beers but is declined for the opportunity to prove my own prowess by slowly opening the bottle inside a plastic bag, letting the head drain off to reveal the serviceable beer inside.

I was rewarded with sticky fingers and a plastic bag full of beer bubbles as I walked down the Barcelona beach side, full of restaurants and the last remands of the sun.

A waitress off-duty informed me smiling that the municipal bathrooms were all closed and I’d have to use a restaurant, but the restaurant I wanted to go to was on Bocatel almost a mile away.

I ended up sneaking into an ice cream joint before my last-ditch chance, a Burger King. In my three weeks of traveling, I had become adept at the art of finding toilets and I took particular pride slipping out of the store as the ladies served colorful gelato to tan children.

I finally found myself at the recommended beach bar/restaurant, the unpronounceable Xiringuito Escriba and seated myself on their terrace down by the beach instead of their main restaurant. Closer to the action and maybe I could take more walks. My towel sat useless in my overstuffed backpack as no one was swimming at 9:30pm.

Eating at restaurants by yourself is a joy I’ve indulged in not just on vacation but at home too, when I used to review food, but mostly for pleasure. Often the coolest places won’t have room for two people wanting a table and an experience, but they’ll be an errant seat or a stool at the bar for one. If you’re lucky maybe you’ll even share your table with someone and chat and have a new experience. You’ll indulge me in these sorts of asides if you’re reading this.

"Excuse me," A well-dressed dude at the table next to mine asked me. "My girlfriend and I have a bet. You speak such good English. Where are you from?"

"New York City." I said with a grin. "We New Yorkers do not say we are American, rather we are from New York."

Thus began a long and fun conversation with the couple, who were Austrian. We drank, we ate and talked, I made them laugh with my affable bravado. He was a civil engineer, she was an English and American Studies major (the first I’d heard outside the US!). She said it was her dream to go to New York City. They were so well-dressed and good-looking, while I by contrast was wild haired, smelly and wearing an underwear-less pair of shorts I had gotten from H+M for 10 euro (this place is so cheap and everything looks so good! What’s the catch?!)

"So how old are you?" The young woman asked.

"Guess!" I dared her with a wide smile. People had been consistently under guessing my age by at least three years everywhere I went and it felt awesome.

"24." She said.

"Ah, I am so complimented!" I pumped a fist. "I am 27 years old."

I turned to them after a bite from my burger. “So how old are you cats? 25?”

"I am 24." He said. "23." She replied shyly.

My external response was to quickly and vociferously apologize for my mistake.

Internally, I thought, well fuck. Who’s the child here and who’s the adult.

***

"I love Amsterdam. A playground for adult children!"

This was written by my roommate Karimah, a wonderful person who likes to clean and pay rent on time, in an email I solicited from her about where to see when I was in Europe.

I loved Amsterdam too. I stayed there 8 days, just wandering and writing and having a good chill party. There were Hitchcock and Cronenberg retrospectives and every day I’d watch one or both of each and take the beautiful ferry and walk in the rain and have fun.

I decamped from Berlin sooner than expected because there was only so much of reading about Nazis and Soviets and how terrible they were and how they all hated the Jews that I could take before I couldn’t take it anymore. When I started feeling emotionally attached to vengeance against the Nazis who never came to justice, and a sense of righteous pleasure at the execution of Eichmann, I knew it was time to go.

Emily, my cute/wonderful girlfriend with a cute/wonderful puppy, encouraged me to go to Barcelona and with the freedom of my a Eurail pass, the same night I was on trains for 16 hours, headed through the south of France to Spain.

But as Emily pointed out joyously as I felt too, it was only a week until I saw her again, but in my gut there surged queasy panic as I realized that also meant I had a week to figure out what to do with my life.

"I don’t think you’d be happy making 40,000 dollars a year doing comedy like (name of excellent comedian redacted)" My dad had told me before I left.

But that was just what I had chosen to do. It’s embarrassing and shameful and difficult for me to admit, but what I’d love to do for money would be to direct and teach comedy until I’m good enough as a performer that I could get paid for that.

I did a social media blast, I tried to get my ducks in a row, I considered moving back home with my parents to save money.

Anything to avoid stuffing my life full of unhappiness and pretending it wasn’t so.

Let me tell you: it’s terrifying. It’s terrifying to admit that you feel you are great at something. It’s terrifying to put yourself out there and risk your living on doing something creative. It’s terrifying to go for what you want and to admit that what you want (to direct and coach for money) might not be what you thought you wanted (to perform and write for money) but maybe I should be doing that and where is the border between what my heart feels and what shame prevents me from accomplishing , between risk in a sense of creative satisfaction and figuring out the proper balance of work and play… And my thoughts devolve into a jumble.

I get the sense that my parents want me to be an advertising executive or something and there’s something American in me reckoning that as the first born son by pursuing comedy I am essentially going down in class from my parents generation. My cousins are working in fashion and post-law interning for a Supreme Court justice or something. They’ll have lives and money and tangible things. Where is my path leading me? In some ways I am shunning my parents work to keep the family afloat, as the story of all those German Jews seemed to tell me, their most important value, keep the Jews alive, rise to prosperity through knowledge and work. Where am I in that? Against it?

Who am I when I see these people younger than me so handsome and composed and set? Why am I this adult child in need of therapy and guidance to figure out my life?

It’s a lot.

***

I switched hostels today because I only book hostels two nights at a time to see if I like them or not. I was taken to my room: a 10 bed non air-conditioned dorm overlooking Girona.

I am sitting in my socks in an sir conditioned lounge with some Aussies and Russians as the clock is about to strike noon.

A Siberian Ukranian named Anton befriended me yesterday, one of the people you collect when you travel, an engineer as well, looking to move to San Francisco, with certainty.

We had travelled together on the walking your from out hostel and eaten lunch before I headed to the beach and he headed to a “Paella-cooking Sangria-drinking Experience 28 Euros”.

I didn’t know if I’d see him ever again until he sat down at my table at the compulsory breakfast that most if not all hostels offer.

"Heylo, Nikolas." He said. "Good mornun."

"Did you enjoy Paella?" I asked.

"Yesit wasgood. Basic but, uh, entertaining."

"I am going to a new hostel today, Anton." I told him and wrote my email address on a sheet of paper for him, pulling out a pen from my backpack full of wonders.

"No." He replied directly. "You are on Face-buk? Itis easyer."

Some fumbling as we tried to find each other on our Russian and American devices.

"Whatiz thizpikture?" He asked, looking at my profile. "Iz lyke a teevee sho."

"Yes, I am on a comedy TV show back in New York."

"Wow, asan aktor?" He was amazed.

"Yes."

"Wow. Well, I seeyou, you are intelligent and kindof nerdy guy. I think you have much success in world of akting."

I smiled.

"Wow, I know aktor." He said.

And I took my bag down the Barcelona streets.

Directing Stuff

Dear everybody,

I’ve been doing some reflection on my life abroad and here’s what I think:

I’m very good at directing and producing comedy shows. I would even say I’m great at it.

SUPERNOVA has helped loads of people. I think it’s one of the best things in the New York City comedy community. I’m also really proud of The Hero Show.

But I need to make a living.

I’m a good performer. I’m funny and I think I will end up on a team at UCB and, if not something else, maybe even cooler :). But I need time to be consistently excellent enough to succeed.

However, I think I AM good enough now to be making a living teaching/directing improv and sketch.

Here’s what I’m asking:

1. Write something nice about me on this site if:
• I have ever coached you and you liked it
or
• I ever gave you notes at SUPERNOVA and you thought they were good.
It doesn’t have to be long and if you didn’t like me you don’t have to do it, or say it if you want.

www.improvcoaches.com/coaches/nicholas-feitel

It would really help me to have some positive feedback from the many people I’ve worked with.

2. Book me to coach you or recommend me to your friends.

I currently charge $20/hr and provide a discount for 3 or 2 person groups. I have a lot of availability as of my return on September 4th.

I can say with confidence that I am an excellent director who’s worked with people much better than me like Michael Delaney, Christina Gausas, Anthony Atamanuik, Armando Diaz, Neil Casey and more. I am a good sponge for their wisdom and I’m very good at seeing the challenges an individual and the challenges a team faces and helping them to work through it.

As a sketch person, I’ve performed and written for two Magnet sketch teams and given notes and directed sketches for several years. I would be happy to meet with you to go over your work, collaborate and make your vision clearer of what you want to do.

3. Take my class.

I’ll be offering a four-week class coming up on Saturdays from 11-2pm for 80 dollars.

***

"Work On You"

Description:

Let’s cut to the chase. You want to get better at improv. Let’s work on you. Email the teacher at least one week in advance of the class with one or two things you want to work on, as specifically as possible, and we’ll work on them. We will make you better.

Max: 16ppl

***

I’m confident and excited to do this. I have a gift for directing and I love doing it.

I look forward to playing with you.

Yours, in comedy stuff,
Nick

Come Take A Ride

Tonight I rode to the U-Bahn station on the back of what must have been a 50-something year old German man’s bicycle. It was more difficult than I imagined, riding on the back of a bike that is. “Berlin style!” Katarine, his wife, said while riding behind us.

As I said, I’d never ridden on the back of a bike before and had found the experience quite difficult. Even though you aren’t pedaling and Jergen, the older gentleman, did seem to have some issues balancing me and my backpack and pedaling for two, I’ll say he had some advantages on me.

He had that bike cushion which kept him high while I was sitting on the bike’s cargo section had my legs haphazardly half-hugging the bike in a dance to try to neither interfere with the wheel spinning not hit any traffic cones or curbs. So I was holding my legs suspended in a half curl in the air while I felt every bump of the curb and the sidewalk and the cobblestones that we passed over in the beautiful Berlin night.

I couldn’t walk, though occasionally I did, because the couple was leading me on bike to the next station, wherever that was and trying to bike slow enough to keep up with someone walking was more annoying even than having a passenger on back.

What’s more when I was on, my hands were clinging to the metal in front of me. Though Jergen and Katarine had extremely graciously offered me the ride, I didn’t feel close enough to Jergen to grasp him round the waist as I’d seen people do in movies on motorcycles, two elements removed from my situation.

In fact at this point, they didn’t even know my name.

***

The first two times the conductor had tried to explain why we were stopped over an hour in a small Dutch town that sounded like Denver, it was in Dutch and then German and as I didn’t speak either I looked to the other passengers on the train in a mix of confusion and vulnerability for guidance.

I had some severely atrophied French that had served me decently in Paris and a clever iPhone application called “Word Lens” that let me translate German signs into English just by looking at them with my phone’s camera (and most remarkably, with no internet necessary) but I had learned from my week stay in Amsterdam (twice extended) that no one but the Dutch bothered with Dutch. Nicole, a spry, young Aussie (one of many I’d encountered) who had been one of the visa-slaves working at my Amsterdam hostel had told me she longed to learn Dutch but that courses were costed starting at 500 euro and the Dutch had gotten so good at telling accents that they’d reply to attempts at Dutch with a country-specific retort (“G’day mate” in her case).

It turned out that there was a “problem with a person on the tracks” as the announcer finally got to English, blocking the only way to Berlin.

In my American sensibilities, I wondered if this was okay and if this person was alright.

***

"Sounds like he jumped the tracks." Adé told me. "Yeah, quite common in Europe. Death by train."

The train ride had been 8 hours, 6 plus the two hours in the small Dutch town that sounded like Denver. The 7:01 train had been held up by the apparent suicide and the passengers had all boarded my train, the 9:01, making it quite crowded. Adé. it turns out, was one of those 7:01 passengers.

Adé was a skinny, nerdy black Londoner who had tried to explain to me several times his name much to my inability to pronounce it.

Upon arriving at the Generator Mitte Hostel in Berlin I had made his acquaintance as I heard him speaking English and for a tourist traveling abroad with no grasp of the language and alone, you engaged other English-speakers when able or else remain in an eerie Peanuts/Charlie Brown where no one communicated in a way you understand.

It should be noted that the hostel I was stayed in was not a hostel on the way I knew just as Berlin’s clubs are not similar to most that I was supposed to understand. Just like Berlin’s uber-clubs, this was an uber-hostel, with a bar, a cafe, a lounge, a quad, 500 beds and a service offering everything from travel cards to tarpons. I was impressed and daunted.

I quickly met and was friends with Adé and an Asian Australian named Jason. Jason unprompted had approached me in the same way I had approached Adé noticing as I hadn’t that we were sharing a room. Quickly I was invited to one pub crawl, decided it was shit and asked about another which Jason produced: The “666 Alternative Pub Crawl” spanning weird bars around Berlin and featuring 6 shots for 10 euro.

"Sounds like a deal to me." I said and invited Adé and suddenly we were all temporary close friends in the way three lone travelers of a similar age bond in a foreign land.

I was proud to introduce Adé to the concept of a Donerbox, which I knew well from Amsterdam, an ingenious and inexpensive invention whereupon chicken or lamb shawarma is tossed with salad and frites sauce over an order of fresh fries and given to you to eat in a Chinese takeaway box.

The guys behind the counter fucked with us in a way that I hadn’t enjoyed since New York and it took me by welcome surprise.

***

(Hip-hop blasting in the background)
Me: I hear this place is great.
Doner Dude : No.
M: No? What?
DD: I don’t know. What you say?
M: I said I heard this place is great.
DD: Oh. No. What you want?
M: Alright, man. Donerbox.
DD: Where you from?
M: New York City.
DD: New. York. City. (DD pounds me, I make my fist explode, he doesn’t)
M: Yeah man the best.
Adé: I’ll have a Donerbox as well.
DD: No.
A: No?
DD: Where you from my man?
A: London (puts out fist to pound)
DD: London, no. (Doesn’t return pound)
A: Alright.
M (big smile): I love this! Man it’s great getting fucked with.
A(setting down box of Marlboros): Don’t be fooled, these guys would rob you in the street.
M: Nah man.
DD(takes a Marlboro out of the box): Thank you.
A: What man? Ask first! Ask and I might give you one.
DD: Ok, please. (Takes a cig)
M: This is great.
DD(to A): I am bisexual. You have long dick.
A: Alright.
We pay and choose our sauces and leave.
I tip a Euro and thank the dude.
FIN
***

The pub crawl started with the three of us sitting in an empty 70s bar where the Europunk ear-gauged bartender couldn’t get us a beer out of the tap and when I offered to take a bottle instead snapped at me: “Always happens, calm.” And I returned to my table. I voiced the question on all of our minds:

"Dudes, we gonna do this if were the only ones on this crawl?"

But on cue another person entered, and then more, and then suddenly the bar was packed.

As for the night, it was a blur.

We were served our shots on the street with chaser shots of weaker German herbal alcohol for some reason.

Of the things I remember:

An underground ping-pong bar where players circled a sole table like sharks until someone fucked up and then they were out until there were two players and then the game was on. And then it all reset.

An absinthe bar where they lit a sugar cube on fire before pouring your drink over it.

Pissing somewhere in the corner of the street after midnight on my way home and getting a courtesy text from AT+T reminding me not to use my data plan.

I made it home and in my bed and that’s it.

***

Hangover.

Several things were on my mind when I awoke. My tolerance had gotten higher since I’d come to Europe, drinking nearly every day, though usually just 1-3 beers.

-I knew I had drank more last night than I had in quite a while.
-I knew they started making beds at 11am and that I should get out anyway.
-I knew I should take Excedrin (a story for a different post, but please inquire) but that no amount of Excedrin or coffee would help me in this circumstance at least not in full.

I’d have to let this take it’s course.

Still the stages of such a hangover are familiar to me and I went through them.

Phase 1: Breakfast/Coffee

There is the belief during a bad hangover that a good greasy and or starchy breakfast combined with liberal amounts of coffee will save you. This is always erroneous but a good signpost. As you’ll always feel nauseous when such a hangover occurs, it’s very good if you’re going to Ralph to get it done early and with inexpensive food.

I checked my Facebook status with solicited information on Berlin and found, appropriately enough, the Humboldt University dining hall, which apparently was cheap and open to the public.

I stepped out into the sun and was off.

It’s interesting to note at this point that Berlin is the first place I’ve encountered where the coffee and espresso drinks seem to be mostly made by automated machines. In my hostel, in the dining hall, even in small cafés and a Starbucks, no one bothered with a steam wand or pulling shots, your milk came frothed according to the button one pushed on a machine. In New York, this was considered to be very low quality in a world of artisanal and artisanal-style coffee-shops (like the one I quit to come on this trip) but here it was commonplace.

I had a delicious light European breakfast. A buttered cheese sandwich on peasant bread with cherry tomatoes and cucumber. I had become used to it from Amsterdam and seeing it in my state was welcome along with the strangely human-less Americano I got, not trusting my latte to a machine.

Still, as I sat in the largely abandoned dining hall (it was summer, I reminded myself), I knew I couldn’t stay here and I began phase 2 of my hangover.

Phase 2: Wandering

During a severe hangover, it is difficult to make plans. You are still uncertain if you will vomit or not. You are unsure of your own abilities and energy. Stringing together long-term or even medium-term ideas suddenly seems like a daunting task and so you content yourself to wander.

It didn’t help that Berlin, unlike Amsterdam, London or even Paris was a sprawling, strangely WiFi-less city. I had managed directions from my hostel to the dining hall through wifi there, but I had no more ideas assuming I’d find a Starbucks or a McDo with sufficient wandering and be on my way.

But no such thing availed itself to me and wandering blindly, I ended up on something called Museum Island, a strangely concentrated area of many museums with grass and many people in lines.

Unable to deal with the number of choices, the lack of wifi, the possibility of waiting in long lines for things I didn’t know, my own waning reserve of energy and the still significant seeming potential that I might vomit, I did something uncharacteristic:

I just layed face up on the grass and shut my eyes.

Phase 3: Napping/Recuperation

Of course, I couldn’t sleep. There was still too much going on with me, too much nausea and the uncertainty of having everything in your life vulnerable in a foreign country, sleeping in public.

But it was very useful, that nice lie down I had. It helped me gather my thoughts. Where was I, what should I do? Meals were still my anchor and I generally disliked museums.

But I took that moment to feel the grass, to feel the soft Berlin breeze. It was a pretty time of year there for sure. I had no work or expectation.

In a void of external expectation, you are the arbiter of your own experience.

Put simply: when you travel alone, you’re the only one responsible for your own fun. Can’t blame work or parents or significant others or lack thereof. If you want to have a good time, have it and if you weren’t having a good time, well that’s on you as well.

It’s a refreshing thought to have.

I opened my eyes, got myself to my feet and got going.

Phase 4: Lunch

Ah, my favorite phase.

After some wandering off Museum Island, a little clearer, I found a Starbucks along with Starbucks great secret I had uncovered in Amsterdam: even though they say you need a code from your receipt, the doors are just unlocked.

I found another place off my Facebook status, a Vietnamese restaurant and hopped on the U-Bahn, one of the strange German transports, which I had learned during my pub crawl, have no turnstiles.

In New York the turnstiles are narrow and metal, in London and Paris they were made of large panes of plastic or glass. In Berlin, you just walk on the train and nobody says a thing. There were places to purchase tickets but it was unsure when anyone would use them and why.

"Everyone in Berlin is honest." The Aussie pub crawl tour-guide had explained to me in a way that befuddled me to no end.

The train system also appeared incomprehensible to me, a great connoisseur of subway systems. There were various lines, trams and busses, the U-Bahn which was mostly underground but ran above ground sometimes and the S-Bahn which was mostly above ground but ran underground often too. There were multiple lines but many different kinds of connections at many different stations. No turnstiles on any of them!

My lunch was a delicious Chicken Coconut Curry which was not on the menu but I was informed, after consulting my fellow guests, was the thing to get. It was €4.90 which was incredible cheap compared to anywhere else I’d been and came at my request with some strong condensed milk version of a Vietnamese iced cappuccino. It was just what I needed.

Afterwards, with most of my strength back, confident of my ability not to Ralph, I facetimed my cute-faced girlfriend and recovered on a seat in a Macy’s type department store called Karstadt.

I resolved to go for a walking your even though I didn’t feel I had the energy.

"You wouldn’t want to waste your time in Berlin." My cute-faced girlfriend told me. And then we tried to kiss each other through the phone for a few minutes.

Phase 5: More caffeine, wandering and end.

I resolved to take the free walking tour of Berlin I had heard of which met by the Brandenberg gate, a 90 minute walk from Hermanplatz, where I was.

Still my philosophy on walking in foreign cities is that it is essentially a free self-guided your any time you walk versus taking public transport, so sporting a number of Coke Lights and, due to a defective vending machine, one unfortunate Coke regular, I made my way through the beautiful tree-lined streets of urban Berlin, passing Doner shops and cell-phone stores and many places advertising calling cards to Turkey.

Every now and then, hidden in an alcove was a playground and what’s better was that I had shelled out for a month of Spotify Premium allowing me a soundtrack for my walk.

If you get the opportunity to take long walks in foreign cities, I quite recommend it, not with any “sightseeing goal” but just with eyes open to the experience.

It’s amazing what you’ll think about and what you’ll find.

***

My guide for the “free tour” (really a pay what you want tour) was a balding American dandy in an Alan Starzinski vest and tight black jeans named George. It turned out he was from Missouri, had a good deal to say about Ferguson (all of which had happened while I was out of country) and had been a tour guide in many cities including New York. I couldn’t help thinking as he led the 50-person plus group that he’d probably make for a pretty good comedic improviser as his jokes weren’t great but his stage presence and confidence were very strong.

I saw the wall and the field of stones and the things you might see in central Berlin but I’ll leave that to your own tour.

I gave George 12 euro and asked him frankly what I had asked other service industry professionals as a former one: whether I had tipped him enough and he as an American, evaded the question, laughed and said it was fine.

When I went to Starbucks to plan my way to dinner, I ran into George again and a fellow named Rob, a British guide whom George introduced as being “Prince Harry’s goofball brother”.

I asked them for advice on nightlife as I had no desire to club or to do another crawl but would like to find somewhere chill involving drinks like the ping pong bar.

I told him I was going to a beer garden named Henne I’d found through my Facebook friends and he diverted me to another one called Prater that was less “out in the middle of nowhere”.

Either way, my phone was dying from a combination of

1. Drunkenly unplugging it in the middle of the night
2. Listening to my new Spotify playlist.
3. Using Google Maps to go on an intensive 1.5 hr walk.

Wherever I went I’d have to charge it and my own travel rules co siders sitting at a Starbucks waiting for it to charge a waste of time.

A self-guided vacation was like an improv scene, I thought. The more you can incorporate unexpected things to make them have a purpose, the cooler it becomes.

If my phone was dying it was dying for a reason, as much as that scared me and I went to Prater.

***

It was my fourth time boarding a train without a ticket and I had become increasingly nervous.

I still had no idea how Berlin’s public transportation system worked and what kind of ticket I needed as no one had seemed to check them or want them at any point and, like every city I’d been in but London, the ticket machines didn’t want to accept my credit card.

In the end I bought a “4-trip ticket” I still haven’t used figuring that at least if it was wrong the station guard couldn’t accuse me of not trying.

Prater, however, turned out to be a hipster enclave like Radegast Biergarten back in Williamsburg, but it posed two problems:

1. They had nowhere for me to charge my phone

And

2. They had little for me to eat.

I am a poultritarian, a term which by most people’s definition does not exist, meaning I eat chicken and turkey, but not beef or pork, with an occasional smattering of seafood. Protein is important to me as a former hypoglycemic and someone who lost a lot of weight on an Atkins-related diet. Generally if sonewherw doesn’t have any fowl options I don’t eat there and Prater did not.

But my phone was down to 7% battery, Henne was a 20 minute walk after a 15-minute train ride and who knows how I’d get home from there.

Luckily, I had a book.

***

After Ian O’Keefe’s PSVita was stolen from me by an electronic bicycle in Lille, I took the next best thing for electronic comfort, a book on the Kindle app on my iPad.

I was rereading old fantasy books, Patrick Rothfuss’s The Kingkiller Chronicles, a pretty good “kid learns magic and is pretty cool” type of book, highlighting the power of music and acting which makes it a little nerdier than usual.

The downside of traveling alone is loneliness, the sense at times that you have your back against the world.

One of the ways you fight this is with true openness. If you smile and engage and are willing to do silly things there’s no limit to where you might find yourself. Similarly, sometimes this openness becomes chaos like the pub crawl or the anxiety of not knowing how you’ll find your way home with a dead phone and no idea of your hostel’s address, it can be good to retreat into a book, even or especially an old book because an old book is like an old friend that requires neither internet nor upkeep.

My phone dying I read my iPad on the train as Kvothe, the hero of the story went on his own journey to track down highwaymen attacking the King’s tax collectors and felt stability.

I managed my phone carefully and it got me to Henne, a small Biergarten nowhere near trains where the only recommended item on the menu was a half-chicken with bread and either potato salad or cole slaw. I was sat outside despite my request next to an older couple who laughed as I went to sit down at the end of the bench as it lurched under me.

It would be over an hour till I got my food. Forty minutes before the Heffeweisen I ordered showed up.

***

Over that time I befriended the couple that would eventually through me on the back of their bike and take me to the U-Bahn.

We discussed New York and Los Angeles, where the lady had moved from recently and worked as a costume designer, and Berlin and how pretty it was. The concept of tipping and how it differed from country to country, Amsterdam and London and how we all hated LA.

We didn’t even know each other’s names but by the end of our time together I had promised them I would visit the last day of the David Bowie exhibition, which her daughter had enjoyed so much.

I only asked their names when I had gotten, thighs sore off the back of the bike.

My chicken when it came was delicious and deep fried with no batter, crispy and succulent and served without utensils, just a piece of brown bread.

Katarine had intervened on my behalf with the hostess who had told me that sitting inside would be impossible and my phone had been charged enough to get me home, though Jergen came all the way into the station with me after realizing I had no idea where to go.

As I got off the train and came back to the hostel, I walked past a bar and noticed impeccably dressed vested George, my tour guide of old, out with his buddy, goofy Prince Harry and drunk as all day.

"Nick the New Yorker!" He greeted me like an old friend, with aplomb, much the way he had pounded me earlier when I knew what MAD stood for (Mutually Assured Destruction).

He invited me to take a seat and I hung out with him and his motley gang of British, Irish and American tour guides as well as three German girls who I assume were friends of theirs who had come down to sit and whom I continued to praise Berlin to.

Unlike New York where you were either friendly to people you wanted to be close to or distant with people you barely knew, traveling through Europe alone, I found a culture of these intense but temporary attachments. There was cok certain, smile, laughter and personal detail without last names, histories or personal goals. You just became friends for a night with people you might never see again, just for the experience of it.

George and his friends were just as amazed by my bike story as I’d been.

"They could have been murderers!" One girl said.

"Well, they didn’t seem like it." I replied.

I turned in, my legs sore and thankfully, not nearly as drunk as the night before.

I had bought a beer for George to be sure I had tipped enough and thank him for inviting me in but he just gave me some coins which I took. I knew better than to argue courtesy with an American.

***

This morning, I took one of my seldom showers, celebrated how good it felt to not be hungover. Tried unsuccessfully to find somewhere to drop-off my laundry, apparently something unheard of for the hard-working Germans and walked to the promised David Bowie exhibit where I’ve waited in line for around three hours and wrote all of this.

For some time after this is done, maybe I’ll get in.

With Eyes Unfocused

***

I noticed it about hour 6 of the plane ride to London, how much my eyes hurt. I had recently gotten new glasses which were different lenses than I was used to, partially because I had been experiencing eye spasms and partially because it had been a couple years and mostly because my parents offered to pay.

However my eyes still spasmed and wouldn’t focus when I went to look at my various and variously beloved electronic devices and when I went back to talk to the stateside optometrist who took my measurements she offered one piece of advice.

"Look at screens less."

This proved to be hard. Ian O’Keefe had lent me his PSVita for the trip and I was getting heavily back in to an extremely nuanced Japanese role-playing game that involved Jungian psychology, evil TV monsters and trying to get every girl to be your girlfriend. 

Anyway, it was around hour 6 of the plane that I noticed my eyes would no longer focus unless I made them and then with significant pain. I took some Motrin which helped with the pain but not with the focusing, which was sporadic at best. I chocked it up to jet lag and the hour and the complimentary wine I had been given on the plane and kept playing with about a two hour break for sleep before arriving, suddenly as it always is, in London.

The truth was I had been looking at screens more than I should for a while but it was hard to tell whether the problem lay with my glasses or myself. I had been fired two weeks before I was scheduled to quit my coffee shop job to go on this trip to “find myself”, which permitted me both unemployment money (thanks max) and enough time to catch up on some video games and TV watching (preferably at the same time) that I had been missing out on with my past schedule which was:

Work 5:30am-12:30pm
Lunch/Nap: 12:40-2pm
Rehearsal/Class 330-630pm
Dinner quick and cheap 7-7:30pm
See/do a cheap comedy show 8-10pm
Rush home and try to get to bed before 10:30 so I could survive.

Not a lot of time for video gaming there. Or really anything.

So I had been looking at screens, eating terribly, not doing yoga, though not for the self hating reasons one might think.

In my mind, the structure and packaging and self-imposed rules and restrictions of my life were what allowed it to go on for so long but also what kept me a prisoner in a situation I was unhappy in. The same rules that kept me going home in time so I got enough sleep to survive made sure it would be hard to see cool shows or go out for a drink with friends or have a serious conversation about how unhappy I was at my job.

So it felt good to just be an unfocused slob for a while.

But when I got to London and needed to use my phone for maps and other good things it still was impossible to focus my eyes. I increased the font size on my phone which helped slightly. I drank coffee which made it worse. I drank lager which made it worse. I played more of Ian’s video games which did not help at all.

It god bad enough that I went to consider medical help in famously free-medicine London where I passed the Centre for Optometry where the discussion went something like this

Me (attempting to sound at least a little British): Hi, quite sorry to bother, but I seem to be having a spot of issue with my eyes. They won’t focus proper-like.
Receptionist: Well, when was your last eye exam?
M: Less than a month ago.
R: Well then it won’t do any good doing a new one so soon.
M: But I’ve got a real problem. My eyes won’t focus.
R: Well did you tell your last doctor about that?
M: Yes they told me not to stare at screens so much.
R: And have you been staring at screens much?
M: Well yes I’m on vacation.
R: Well then.
M: Good day.
I exit.
FIN

***

My (Ian’s) PSVita was pick pocketed from me during a layover in Lille as I attempted to recharge my phone using an Eco-friendly electric bike generator they had placed in the terminal to dupe tourists.

This left me less harm for my eyes but only hours away from defeating the Japanese goddess who had been flooding the small town my teenage avatar had been staying in with fog that dissolved the barrier between our world and the shadows that tumblr from our unconscious that threaten to consume us and, also, from getting every girl to be my girlfriend. 

It did also cause me to briefly send too many international text messages as I grew bored of staring at Belgians and cows from my pretty train window.

Since then, I’ve been in Amsterdam, wandering around, partying a bit in the way a nerdy comedian type who hates clubs and finds the idea of paying for sex sincerely unromantuc might do and reading quite a bit on my phone, rereading “In The Name of The Wind” and struggling with my own ability to focus my eyes.

I’ve had various “revelations” wandering around Amsterdam:

-The point of life is to enjoy every present moment, since there is so much to enjoy.
-Why not just be drunk and stoned every minute then? Because it’s a denial of the wonder of everything to just be curled up mumbling somewhere all the time. There’s so much more to life.
-Amidst this, one needs to find a way to survive that agrees with them.
-I love my girlfriend a lot and the high I get from that is better than anything else.

No groundbreakers but some interesting ones.

My dad and Emily agree from my last couple of posts that I should try my hand at making money on teaching and coaching and producing comedy and that that doesn’t preclude me from performing. I know, as I look over the rosters for SUPERNOVA this morning and grin at myself thinking of moments that I loved when I was coaching, Steve Ling coming in as a doiuchey replacement best friend in a series of scenes done by Kim Kutt and Dylan Evans called “Thirty Days, Thirty Laya”, that I am very good at coaching.

But I guess to admit, that idea scares me. I’m good at coaching, very good I think, but I’m not on a team anywhere and I’m currently a better director than a performer. Would people hire me or enough people that I’d survive? What else could I do? There’s no easy path, no structure.

I guess with my girlfriend and my pops suggesting it that’s what I’m leaving towards trying right now but for all my decent, typo-filled writing and moments of lucidity, it still feels painful to commit towards something I really want and risk failure.

I open myself to mockery and my father and others voices asking me what I’m doing in the entertainment business if I can’t handle failure but all I can say is that isn’t the sort of response I respond to from other people or myself well.

I miss playing Ian’s video game. It was very good. And my eyes still focus poorly trying to look at the rosters for the next round of SUPERNOVA or writing this in the comfort of a Starbucks.

But for anything else, I write, my shoulders untensing, it’s good to consider. To write. To get it out. You know?

Sorry Ian.

***

For those interested, the game Ian lent me is called “Persona 4: The Golden”. I lent him two games in return I highly recommend called “999” and “Virtue’s Last Reward”. So yeah.

With Eyes Unfocused

***

I noticed it about hour 6 of the plane ride to London, how much my eyes hurt. I had recently gotten new glasses which were different lenses than I was used to, partially because I had been experiencing eye spasms and partially because it had been a couple years and mostly because my parents offered to pay.

However my eyes still spasmed and wouldn’t focus when I went to look at my various and variously beloved electronic devices and when I went back to talk to the stateside optometrist who took my measurements she offered one piece of advice.

"Look at screens less."

This proved to be hard. Ian O’Keefe had lent me his PSVita for the trip and I was getting heavily back in to an extremely nuanced Japanese role-playing game that involved Jungian psychology, evil TV monsters and trying to get every girl to be your girlfriend.

Anyway, it was around hour 6 of the plane that I noticed my eyes would no longer focus unless I made them and then with significant pain. I took some Motrin which helped with the pain but not with the focusing, which was sporadic at best. I chocked it up to jet lag and the hour and the complimentary wine I had been given on the plane and kept playing with about a two hour break for sleep before arriving, suddenly as it always is, in London.

The truth was I had been looking at screens more than I should for a while but it was hard to tell whether the problem lay with my glasses or myself. I had been fired two weeks before I was scheduled to quit my coffee shop job to go on this trip to “find myself”, which permitted me both unemployment money (thanks max) and enough time to catch up on some video games and TV watching (preferably at the same time) that I had been missing out on with my past schedule which was:

Work 5:30am-12:30pm
Lunch/Nap: 12:40-2pm
Rehearsal/Class 330-630pm
Dinner quick and cheap 7-7:30pm
See/do a cheap comedy show 8-10pm
Rush home and try to get to bed before 10:30 so I could survive.

Not a lot of time for video gaming there. Or really anything.

So I had been looking at screens, eating terribly, not doing yoga, though not for the self hating reasons one might think.

In my mind, the structure and packaging and self-imposed rules and restrictions of my life were what allowed it to go on for so long but also what kept me a prisoner in a situation I was unhappy in. The same rules that kept me going home in time so I got enough sleep to survive made sure it would be hard to see cool shows or go out for a drink with friends or have a serious conversation about how unhappy I was at my job.

So it felt good to just be an unfocused slob for a while.

But when I got to London and needed to use my phone for maps and other good things it still was impossible to focus my eyes. I increased the font size on my phone which helped slightly. I drank coffee which made it worse. I drank lager which made it worse. I played more of Ian’s video games which did not help at all.

It god bad enough that I went to consider medical help in famously free-medicine London where I passed the Centre for Optometry where the discussion went something like this

Me (attempting to sound at least a little British): Hi, quite sorry to bother, but I seem to be having a spot of issue with my eyes. They won’t focus proper-like.
Receptionist: Well, when was your last eye exam?
M: Less than a month ago.
R: Well then it won’t do any good doing a new one so soon.
M: But I’ve got a real problem. My eyes won’t focus.
R: Well did you tell your last doctor about that?
M: Yes they told me not to stare at screens so much.
R: And have you been staring at screens much?
M: Well yes I’m on vacation.
R: Well then.
M: Good day.
I exit.
FIN

***

My (Ian’s) PSVita was pick pocketed from me during a layover in Lille as I attempted to recharge my phone using an Eco-friendly electric bike generator they had placed in the terminal to dupe tourists.

This left me less harm for my eyes but only hours away from defeating the Japanese goddess who had been flooding the small town my teenage avatar had been staying in with fog that dissolved the barrier between our world and the shadows that tumblr from our unconscious that threaten to consume us and, also, from getting every girl to be my girlfriend.

It did also cause me to briefly send too many international text messages as I grew bored of staring at Belgians and cows from my pretty train window.

Since then, I’ve been in Amsterdam, wandering around, partying a bit in the way a nerdy comedian type who hates clubs and finds the idea of paying for sex sincerely unromantuc might do and reading quite a bit on my phone, rereading “In The Name of The Wind” and struggling with my own ability to focus my eyes.

I’ve had various “revelations” wandering around Amsterdam:

-The point of life is to enjoy every present moment, since there is so much to enjoy.
-Why not just be drunk and stoned every minute then? Because it’s a denial of the wonder of everything to just be curled up mumbling somewhere all the time. There’s so much more to life.
-Amidst this, one needs to find a way to survive that agrees with them.
-I love my girlfriend a lot and the high I get from that is better than anything else.

No groundbreakers but some interesting ones.

My dad and Emily agree from my last couple of posts that I should try my hand at making money on teaching and coaching and producing comedy and that that doesn’t preclude me from performing. I know, as I look over the rosters for SUPERNOVA this morning and grin at myself thinking of moments that I loved when I was coaching, Steve Ling coming in as a doiuchey replacement best friend in a series of scenes done by Kim Kutt and Dylan Evans called “Thirty Days, Thirty Laya”, that I am very good at coaching.

But I guess to admit, that idea scares me. I’m good at coaching, very good I think, but I’m not on a team anywhere and I’m currently a better director than a performer. Would people hire me or enough people that I’d survive? What else could I do? There’s no easy path, no structure.

I guess with my girlfriend and my pops suggesting it that’s what I’m leaving towards trying right now but for all my decent, typo-filled writing and moments of lucidity, it still feels painful to commit towards something I really want and risk failure.

I open myself to mockery and my father and others voices asking me what I’m doing in the entertainment business if I can’t handle failure but all I can say is that isn’t the sort of response I respond to from other people or myself well.

I miss playing Ian’s video game. It was very good. And my eyes still focus poorly trying to look at the rosters for the next round of SUPERNOVA or writing this in the comfort of a Starbucks.

But for anything else, I write, my shoulders untensing, it’s good to consider. To write. To get it out. You know?

Sorry Ian.

***

For those interested, the game Ian lent me is called “Persona 4: The Golden”. I lent him two games in return I highly recommend called “999” and “Virtue’s Last Reward”. So yeah.